GUAN YINFU

 
关音夫作品12号,作品14号 木板丙烯 115x115x15cm 2013.jpg

关音夫作品12号,作品14号 木板丙烯 115x115x15cm 2013.jpg

Guan Yinfu

Guan Yinfu

No. 08 acrylic on wood 59 x 59 x 8 in (150 x 150 x 20 cm) 2013

关音夫作品07号08号,木板丙烯 48x48x17cm 2012.jpg

关音夫作品07号08号,木板丙烯 48x48x17cm 2012.jpg

关音夫作品16号 铝塑板 丙烯 366x244x7cm2013.jpg

关音夫作品16号 铝塑板 丙烯 366x244x7cm2013.jpg

关音夫作品16号 2013 .jpg

关音夫作品16号 2013 .jpg

关音夫作品16号  做品22号.jpg

关音夫作品16号 做品22号.jpg

Guan Yinfu

Guan Yinfu

No. 11 acrylic on wood 142 x 94.5 x 4 in (360 x 240 x 10 cm) 2013

关音夫作品15号  115x115x15cm 作品11号110x110x15cm 木板丙烯 2013.jpg

关音夫作品15号 115x115x15cm 作品11号110x110x15cm 木板丙烯 2013.jpg

 

GUAN YINFU   关音夫

 

1975 Born in Qiqiha’er, Heilongjiang province, China

 

In Guan Yinfu’s works, the pigment turns from a color to an object which is composed of color, volume, and weight. In his works, colors have volume and weight, and the contact, overlap, and permeation of different color blocks bring slight changes to them. Guan Yinfu’s works minimize the works’ nature as paintings—the artist’s body and spirit are no longer in charge; rather, the artist takes a step back and acts as a follower. Apparently, Guan Yinfu does not design the shape of the color blocks on his works. Instead, he lets pigments naturally flow and congeal. However, he did tilt the wood boxes a little bit, so as to create slight disturbance to the shape of the color blocks when the pigments congeal naturally. Also, the combination of wooden crates and pure pigments imbues the works with casualness, and blurs the boundary between “works of art” and “objects”. Guan Yinfu also works with stainless steel. With the grinding marks on the stainless steel, the artist creates an optical illusion which disturbs people’s conception of space, and therefore makes the representation of the works complicated, multi-layered, and debatable.

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