Frank Hyder: 1970s and Now: 251 West 19th Street, New York

Ethan Cohen Gallery is pleased to present Frank Hyder: 1970s & Now, the gallery’s first solo exhibition of Frank Hyder in New York City, and the first-ever exhibition devoted to Hyder’s paintings from the 1970s.

While the gallery has presented Hyder’s sculptures and woodcuts in previous group exhibitions and solo highlights at the KuBe Art Center in Beacon, New York, this exhibition centers on a remarkable and long-hidden body of work. A serendipitous encounter several years ago led to the discovery of nearly 200 paintings created in the early 1970s and stored in the back of Hyder’s studio for over five decades. These works reveal a fully realized painterly vision at a formative moment in the artist’s life and offer new insight into the origins of a practice more widely known for its sculptural ambition.

The paintings Frank Hyder produced in the early 1970s reveal an artist arriving at painterly maturity with striking confidence and clarity. Created at a moment of intense intellectual exchange, these works reflect Hyder’s deep engagement with color, structure, and observation, while resisting stylistic allegiance to any single school or mentor. The paintings balance immediacy and restraint: figures, interiors, and everyday scenes are rendered with a sensitivity to light and surface that feels intuitive and rigorously considered. Far from preliminary or exploratory, these works assert a fully formed artistic voice, one grounded in attention to the quotidian and a quiet insistence on painting as a site of sustained looking. Long unseen, the 1970s paintings stand as a rare and compelling record of an artist’s origins, offering fresh insight into the foundations of Hyder’s art practice.

Hyder is an American artist whose work explores color, light, and cultural symbolism across painting, sculpture, woodcut, and installation. He earned a BFA from the Maryland Institute College of Art, attended the Skowhegan School of Painting and Sculpture, and received an MFA from the University of Pennsylvania. Early in his career, Hyder was recognized as an exceptionally gifted painter and invited into the orbit of artists central to the New York art world of the period, including Alex Katz, Fairfield Porter, Elaine de Kooning, Neil Welliver, Alfred Leslie, Janet Fish, William Bailey, Paul Resika, Yvonne Jacquette, James Hennessey, and Paul Georges. These artists, many shaped by direct connections to Bauhaus émigrés, represented a broad and vital range of approaches that challenged Hyder to sharpen his own voice. Rather than emulate their methods, Hyder sought to deepen his understanding of painting itself. While traces of these influences are visible, the works assert a confident and singular artistic identity from the outset.

Shortly after completing his studies, Hyder shifted his focus away from painting toward drawing and wood carving, ultimately devoting himself to sculpture, a medium that would come to define his career. He is today widely known for his large-scale sculptural works and public commissions.

The rediscovery of Hyder’s early paintings prompted a return to the medium that first anchored his practice. Over the past year, he has produced nearly one hundred new works, including paintings on canvas and dimensional painted constructions cut from plywood, effectively merging painting with the sculptural language that has defined much of his career. The works are figurative and largely observational, depicting people he knows, intimate domestic scenes, swimmers, animals, and moments drawn from everyday life. Across both historical and recent works, Hyder’s handling of color is vibrant, expressive, and assured. What unifies the exhibition is a profound attentiveness to the rhythms of the artist’s daily experience, rendered with clarity, warmth, and conviction.

Frank Hyder has exhibited extensively, with over 200 group exhibitions and more than 100 solo exhibitions worldwide. Notable solo museum presentations include the Museum of Modern Art, Caracas; Museo Jacobo Borges; Museum of Modern Art Zulia; Museo Universidad de Los Andes; Museum of Modern Art Coro; the Pennsylvania Academy of the Fine Arts; The Carnegie Museum; La Salle Museum of Art; The National Museum of Catholic Art and History; and The Noyes Museum. His public commissions include murals for Philadelphia’s Mural Arts Program and ceramic installations in Oxnard, California, and Caracas, Venezuela. His work is held in numerous public collections, including the Library of Congress; the Philadelphia Museum of Art; the Grand Rapids Museum of Art; Woodmere Art Museum; La Salle Museum; the James A. Michener Art Museum; and multiple museum collections throughout Venezuela.

Hyder has received numerous awards and grants and has taught at Moore College of Art and Design and the University of Pennsylvania. His work has been reviewed in The New York Times, Los Angeles Times, San Francisco Examiner, ArtNews, The Huffington Post, The Atlanta Journal-Constitution, and Art in America.