12/8/2015

In a 1988 article in Connoisseur Magazine, I was described as “an occidental orientalist” for being the first to open a New York gallery presenting a totally new phenomenon – Chinese contemporary art. I was perceived as a cultural explorer into the unknown. Chinese and contemporary — to most people the very idea oxymoronic. To them Chinese art was something frozen into strict genres — classical landscapes, folkloric apple-cheeked...

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